Historic Colonial Exterior Paint Colors

Combine these historically accurate paint color palettes for wall trim and accent colors that help you achieve a coordinated period look for the rooms in your home.

Historic colonial exterior paint colors.

Anthony applies his fresh take on americana in both furnishings and décor using a broad range of rich paint colors from the williamsburg paint color collection palette. Hepplewhite ivory hc 36 is a beige with soft yellow undertones a great choice to keep yellow paint colors from looking harsh. Many early houses were left unpainted to weather the elements zimmerman says. In paint colors and paint schemes the victorian period saw a gradual transition toward a wider range of deeper colors and stronger contrasts.

Colonial exterior historic paint colors. For very old houses the exterior paint colors traditionally emulated natural building materials like stone brick tile copper bronze and exposed timbers. A dark trim color taken from the original floor tile plus two shades that echo hues used in other rooms. 1870 was the turning point.

Historic collection interior preservation palette. Milk paints are most familiar in the colors of the earth particularly oxide containing clays but the palette isn t limited to these tones. Layered brights courtesy of dunn edwards. Finnaren haley has an historic colors of america collection.

If exterior color was used at all it was often a simple yellow ochre and iron oxide the barn red we know so well mixed with white lead and linseed oil and applied on site. The homeowners wanted a light and happy exterior that would show off the architectural features of the house so they started with a soft yellow body color. Historic interior paint colors victorian. This kitchen in an 1889 stick victorian showcases three shades of green.

The best way to find the true colors that were available and typical for your style house though is to search online for historic color charts like the one pictured here. Exterior paint color palette. Amp up the color without veering into kitsch by sticking to one part of the spectrum. In this respect it differs significantly from colonial architecture where styles were sequential rather than simultaneous.

Since the paint comes in dry powder form the painter has complete control over the outcome including the creation of custom tones tints or shades and opacity. Created in collaboration with the society for the preservation of new england antiquities which is now known as historic new england this collection of both interior and exterior paint colors from early america history.